February 8, 2020
In 1992, the Museum of Contemporary Art presented “Helter Skelter: L.A. Art in the 1990s,” Paul Schimmel’s first exhibition as chief curator at the museum. Seeking to deliver an “updated” vision of Los Angeles, the exhibition divorced modern Angeleno art from the environmental factors that had animated the Light and Space movement…
Read more about Raymond Pettibon in advance of the February 16, 2020 Modern Art & Design Auction.
May 19, 2016
“Getting to spend time with Sheila Hicks’s 1975 fiber construction has been a continual source of enjoyment since it was mounted on the wall of our showroom,” states LAMA’s Director of Modern Design & Fine Art, Peter Loughrey. “Few pieces in my experience have had such a captivating presence.” Peter fleshes out this work’s magnetism, from its unique context to its scale and honesty.
April 26, 2016
A self-described “abstract surrealist,” the painter, collagist, and teacher Emerson Woelffer was in many ways the very ideal of a postwar American artist. His distinctive style of Abstract Expressionism was inflected by his many and varied interests and experiences. Certainly one of Woelffer’s most enduring legacies is the inspiration he gave his students. When Woelffer came to Los Angeles in the 1960s he became a mentor to an impressive roster of devoted students at the Chouinard Institute that included Larry Bell, Ed Ruscha, Joe Goode, and Charles Arnoldi. His work was shaped, too, by his move to Southern California, which prompted a discernable shift to bolder, brighter colors in his paintings.