LA Design

Artist Spotlight: Joe Goode

May 10, 2019

Artist Spotlight: Joe Goode

Over the course of his long career, Joe Goode (b. 1937) has explored the nature of perception and the fluid relationship between representation and abstraction. Featured in the Pasadena Art Museum’s 1962 exhibition, “New Painting of Common Objects,” Joe Goode’s breakout “Milk Bottle” series earned him national recognition and a prominent place within the Pop Art canon. Goode characterized his subject matter as “the stuff that [he was] confronted with everyday.” Despite similar historical context, Goode’s commentary diverged from that of contemporaries such as Andy Warhol and Ed Ruscha.

Read more about Joe Goode in today’s Artist Spotlight for the May 19, 2019 Modern Art and Design Auction.

Artist Spotlight: Roy Lichtenstein

May 7, 2019

Artist Spotlight: Roy Lichtenstein

Lichtenstein began working in series and exploring “sustained themes” around 1946. Though Lichtenstein wouldn’t develop his signature iconography for another decade, his interest in “paraphrasing” common images began to flourish. The academically dominant Abstract Expressionists despised objective representation, labelling the grand figurative styles of the nineteenth century cheap and hackneyed. Lichtenstein, however, recognized that despite their lack of individuality, these art forms remained particularly abundant in the ‘lowbrow’ visuality of the everyday. He then sought to tease out the intersections of representation and abstraction that could imbue images with cultural salience.

Read more about Roy Lichtenstein in today’s Artist Spotlight for the May 19, 2019 Modern Art and Design Auction.

Jewelry by Margaret De Patta

January 11, 2019

After training as a sculptor and painter at the California School of Fine Arts, California native Margaret De Patta, began studying at the New York Arts Students League. It was in New York that the young artist was first immersed in the brand of Modernism that sprung from the influx of European émigré artists in the 1920s New York art scene. It wasn’t until 1929 however, after having returned to San Francisco, that De Patta took to the jewelry medium that would inevitably distinguish her career.

LAMA is pleased to offer 15 lots by artist Margaret De Patta in the February 17, 2019 auction.

Vija Celmins to hit the auction block

May 21, 2018

Los Angeles Modern Auctions (LAMA)

Working in California during the mid-1960s, Vija Celmins’ began to depart from the Abstract Expressionist style that marked her early paintings and shifted her focus to still life paintings and drawings. These explorations eventually led to her use of found photographs as source materials. LAMA is pleased to announce ‘Untitled (Fish)’ to headline the June 10, 2018 Modern Art & Design auction. LOTS NOW ONLINE.

Artist Spotlight: Cy Twombly

February 14, 2018

Los Angeles Modern Auctions (LAMA)

When Cy Twombly’s work first emerged in the early 1950s many critics scoffed at the deeply expressive gestures, scribbles, drips, and scratches that have come to firmly secure his place as one of the most innovative artists of the 20th century. “My line is childlike but not childish,” the artist once offered in response to criticism pegging his work as simplistic and lacking in clear technique. “It is very difficult to fake … to get that quality you need to project yourself into the child’s line. It has to be felt.”  The emotional caliber of Twombly’s elegantly orchestrated compositions is palpable. Chock-full of fluid starts and stops, erasures, and replacements, which all lend a manuscript-like quality to his canvases. And while the same highly animated, lyrical scribbles and gestural scratches might be evocative of graffiti, Twombly himself shied away from such identification. “Graffiti is linear and it’s done with a pencil, and it’s like writing on walls. But in my paintings it’s more lyrical,”  he explained.

Peter’s Auction Pick of the Day: Warhol’s Campbell’s Soup I Portfolio

May 12, 2015

Andy Warhol, Campbell’s Soup I, 1968

From Peter Loughrey, Director of Modern Design & Fine Art:

There are a few rare examples of artwork that have gained historical relevance far beyond the creator’s expectations. I find this portfolio to be one of those cases.

Los Angeles Modern Auctions is pleased to offer Andy Warhol’s Campbell’s Soup I, a 1968 limited edition portfolio of ten silkscreen prints on paper, at the May 17 Modern Art & Design Auction. Campbell’s Soup I is a major work in the Andy Warhol canon. In these prints, Warhol returned to the subject of his first solo show as an artist and to that which made his name: Campbell’s Soup Cans, a group of 32 silkscreened paintings on canvas with hand-lettering (now in the collection of the Museum of Modern Art, New York). The 1968 Soup Cans prints here represent a refinement of that work. With the use of the mechanical silkscreen technique, he removed the direct hand of the artist from the artistic process. After Warhol, artists would be seen not only as makers of compelling objects such as painting and sculpture, but also as makers of ideas.

Chicago Imagist: Sculptor, Painter and Collector Roger Brown

February 19, 2015

Lot 286, Roger Brown, Just Around the Corner (Part I & Part II), 1975

American sculptor, painter, and collector Roger Brown was a defining figure in the postwar Chicago art scene–but the range of his influences and artistic impact were national in scope. Brown was a leading member of a cadre of fantastical figurative Chicago painters who styled themselves the “Hairy Who.” Members of the group, and associated artists working in the city at the time, are now best known as the Chicago Imagists. LAMA is pleased to offer Brown’s significant corner diptych in March 1, 2015 Modern Art & Design Auction.

LA Sculptor Joel Otterson is a Jack-of-all-trades

February 18, 2015

Lot 223, Joel Otterson, American Portable Pottery Museum (Wall of China), 1994

Los Angeles contemporary artist Joel Otterson is a maker in the old tradition–his materials of choice are copper pipe, pottery, earthenware, concrete, marble, and stained glass; and he also works in quilting, lace making, and woodworking. But his works’ ironic arrangements and pithy titles are wholly au courant. Otterson describes his practice: “My work is loud, and I want it to yell at people.” In this boisterous example on offer March 1, American Portable Pottery Museum (Wall of China) (1994), the artist makes a wry and pointed comment on current global manufacturing practices.

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