Haring

Artist Spotlight: Keith Haring

May 9, 2019

Artist Spotlight: Keith Haring

Keith Haring’s hieroglyphic expressions have become synonymous with the social electricity of New York City in the 1980s. Unlike the Pop artists who preceded him, Haring’s employment of the simplest symbolic relationships elevated everyday meaning-making and celebrated the universality of visual culture in its most reduced form. As one of the few artists of his generation to successfully cross-pollinate public and institutional art, Haring radically redefined practices of art consumption. 

Read more about Keith Haring in today’s Artist Spotlight for the May 19, 2019 Modern Art and Design Auction.

Peter’s Auction Pick of the Day: New York Pop Art

September 25, 2018

Read about the New York Pop art items slated for the September 30, 2018 Modern Art & Design Auction as written by director, Peter Loughrey. “I am very proud to be able to present such an unusually robust collection of New York Pop art. Pieces from Lichtenstein to Basquiat are part of my selection, offering a broad survey from nearly fifty years of the movement.”

In Memoriam: Richard Hambleton (1952-2017)

November 8, 2017

Los Angeles Modern Auctions (LAMA)

Artist Richard Hambleton passed away on October 29, 2017 at the age of 65. Born on June 23, 1952 in Vancouver, Canada, Richard Art Hambleton graduated from the Emily Carr University of Art & Design in Vancouver. After receiving his degree, Hambleton stayed in Vancouver to open the Pumps Center for Alternative Art before moving to New York City in 1980. LAMA was fortunate enough to offer two paintings from 2005 in our auction, and look forward to sharing his hauntingly creative artworks to our collectors even after his untimely passing.

Keith Haring: Bold Forms

February 15, 2017

Los Angeles Modern Auctions (LAMA)

The exuberant work of artist Keith Haring (1958–1990) crosses the boundaries between street and fine art. Haring first began his career as a graffiti artist in the 1980s, making his signature drawings in white chalk throughout the streets and subways of New York City. Employing a cartoonish vocabulary of hearts, flying saucers, babies, and Mickey Mouse heads, Haring’s themes included drug addiction, the fear of nuclear annihilation, and social justice. With its dynamic, bold forms and energetic execution, this body of work soon brought him to the attention of the art world, alongside peers such as Jean-Michel Basquiat.

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