Just In

Just In: Carlos Almaraz’s The Clock Struck Three

July 20, 2020

In The Clock Struck Three, Almaraz decodes the real and unreal through a curious amalgam of silhouettes: figures of men and women cast in abstract forms marching across a scene of chaos, in a frenzied mission to a destination unknown…

Read more.

Just In: Carole Feuerman’s Lady Neptune

July 14, 2020

In Lady Neptune, the traditional pose of the female bather is reimagined through an unfiltered lens. Feuerman captures a fleeting moment of meditative activity: the self-care and contemplative pause of a woman who has just finished bathing. The uncanny realism…

Read more.

Just In: Sam Maloof Rocking Chair

July 7, 2020

A true craftsman in every sense of the word, Sam Maloof created furniture with a soul. His pieces straddle function and beauty, always bearing the intrinsic quality of the human touch. Maloof’s 1973 rocking chair, featured in our upcoming July 30-August 9 Modern Art & Design Timed Online Only Auction, is no exception.

Read more.

Just In: Kiki Smith’s Banshee Pearls

June 30, 2020

Through her fearless approach to material and process, Kiki Smith has contributed a body of work that spans four decades, pushing the boundaries of the social, sexual and political aspects of human nature.

Read more.

Just In: A Ghostly Standard

June 16, 2020

There are few artists who can transform something as ordinary and familiar as a gas station into a symbol of the American landscape. Ruscha’s Ghost Station, 2011, is the artist’s most recent iteration of the Standard Station motif. Here we are presented with a colorless echo of what came before it; the embossed picture is outlined to expose a now familiar image and reaffirms the mutable status of what has become a touchstone for Ruscha for nearly five decades.

Read more.

Just In: Wayne Thiebaud’s Four Cakes

April 7, 2020

Four Cakes (from Recent Etchings I) (1979), which we are proud to present in our upcoming 2020 Modern Art & Design Auction, not only depicts Wayne Thiebaud’s most recognizable iconography, but demonstrates his commitment to rigorous experimentation. This work stands as a quintessential model of Thiebaud’s most critical artistic inquiries, both in its content and its form.

Read more.

Just In: Ed Ruscha, In Silhouette

April 3, 2020

In the mid-1980s Ruscha shifted away from the text-based work that he is so commonly associated with and began working on a series of paintings and prints that featured silhouetted objects and figures, toying with the visuality of film noir. We are pleased to be presenting three works featuring these subjects — Hourglass (1988), Spattership (1990), and Untitled (1989) — in our next Modern Art & Design Auction.

Read more.

Just In: Raimonds Staprans

March 12, 2020

Though California has birthed an incalculable list of monumental artists, some might argue that it has been the Golden State “transplants” who, in choosing to place their fingers on the pulse of the region’s s character, have most keenly materialized its identity. The Latvian-born painter and playwright Raimonds Staprans (b. 1926) is a sterling example of this phenomenon, and we are pleased to offer two of his works, A Study of the Shiny Paint Can (1994) and Clearwater #2 (1994), in our upcoming Spring 2020 Modern Art & Design Auction.

Read more.

BID AND FOLLOW ON THE LAMA APP