February 8, 2020
In 1992, the Museum of Contemporary Art presented “Helter Skelter: L.A. Art in the 1990s,” Paul Schimmel’s first exhibition as chief curator at the museum. Seeking to deliver an “updated” vision of Los Angeles, the exhibition divorced modern Angeleno art from the environmental factors that had animated the Light and Space movement…
Read more about Raymond Pettibon in advance of the February 16, 2020 Modern Art & Design Auction.
February 7, 2020
Born in Chicago near the turn of the previous century, Edmund Teske first got his hands on a camera as a young boy. Initially studying music, one of Teske’s teachers granted him access to a darkroom and the budding artist developed his earliest prints.
Read more about Edmund Teske in advance of the February 16, 2020 Modern Art & Design Auction.
February 6, 2020
A California native and key figure in the Black Arts Movement, Betye Saar weaves layers of memory and resistance into her prints, collages, and assemblages.
Read more about Betye Saar in advance of the February 16, 2020 Modern Art & Design Auction.
February 5, 2020
Described by the work’s consigner, Daniel Durning, as demonstrating a “freer… more pure Keith,” Untitled (1982) is a unique copy of Keith Haring’s (1958–1990) first art zine.
Read more about Keith Karing in today’s Auction Spotlight for the February 16, 2020 Modern Art Auction.
February 4, 2020
Over the course of her twenty year-long career, Hilda D. Levy (1908–2001) cultivated a complex vernacular in which textured linear arrangements gave rise to a “spectacle” of “unrest.”
Read more about Hilda D. Levy in today’s Auction Spotlight for the February 16, 2020 Modern Art Auction.
February 4, 2020
One of the rare artists who seems to find endlessly fresh variations on a single subject, Deborah Butterfield has exclusively executed sculptures of horses for over forty years.
Read more about Deborah Butterfield in today’s Auction Spotlight for the February 16, 2020 Modern Art Auction.
December 20, 2019
With early aspirations of working as a Disney animator, a young Larry Bell first pursued abstract oil painting at the Chouinard Art Institute. His work was largely informed by Abstract Expressionism until he began taking classes from artists such as Robert Irwin, who revealed to him an artistic process free from utilitarian constraints.