The Collection of Sylvia & Garry Knox Bennett 
27 March 2025
The Collection of Sylvia & Garry Knox Bennett 
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Garry Knox Bennett 1934–2022

Thonet Wall Series 3/4

2006
lacquered wood and acrylic on wood in artist-made frame 47½ h × 35 w × 11 d in (121 × 89 × 28 cm)
estimate: $1,500–2,000
result: $1,270
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Signed, dated, and inscribed to verso ‘In Oakland GKB anno 06 3/4’. This work is number 3 from a series of 4 unique works.
provenance: Collection of Sylvia and Garry Knox Bennett
exhibited: Garry Knox Bennett: Call Me Chairmaker, 6 July - 26 November 2006, Bellevue Arts Museum, Washington (traveling exhibition)
literature: Garry Knox Bennett: Call Me Chairmaker, Bellevue Arts Museum exhibition catalog, pg. 72 illustrates this example

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Larger Than Life: Garry Knox Bennett

by Glenn Adamson

Garry Knox Bennett was a big man. Big in every way. Tall. Fulsomely bearded. Physically powerful. A veritable Paul Bunyan of furniture, with expansive creativity and curiosity to match. Whatever world he stepped into didn’t quite measure up to him; and so, in the nicest possible way, he had to make it that much more capacious.

Whatever world [Garry] stepped into didn’t quite measure up to him; and so, in the nicest possible way, he had to make it that much more capacious.

That pattern set in early, when, as he put it, “the flower people came to Frisco.” (He was a man of Oakland, with a lifelong suspicion of the fancier sister city across the bay.) Having already gone to art school, initially as a painter and focusing increasingly on sculpture, he now discovered himself as an entrepreneur, starting up a business called Squirkenworks and selling handmade drug paraphernalia at a rapid clip. “God bless the hippies,” he used to say fondly. "They loved anything ugly.” 

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