The Collection of Sylvia & Garry Knox Bennett 
27 March 2025
The Collection of Sylvia & Garry Knox Bennett 
116

Garry Knox Bennett

Pedestals, pair

USA, 1995
dyed wood, ceramic 37½ h × 16½ w × 16 d in (95 × 42 × 41 cm) 37½ h × 18½ w × 19 d in (95 × 47 × 48 cm)
estimate: $5,000–7,000
result: $5,080
follow artist
own a similar item?
free evaluation

The ceramic portion of these works were created in a workshop with William Daley at Anderson Ranch Arts Center, Snowmass, Colorado.
Signed, dated and inscribed to underside of each example ‘Anderson Ranch GKB ANNO 95’.
provenance: Collection of Sylvia and Garry Knox Bennett

print

Larger Than Life: Garry Knox Bennett

by Glenn Adamson

Garry Knox Bennett was a big man. Big in every way. Tall. Fulsomely bearded. Physically powerful. A veritable Paul Bunyan of furniture, with expansive creativity and curiosity to match. Whatever world he stepped into didn’t quite measure up to him; and so, in the nicest possible way, he had to make it that much more capacious.

Whatever world [Garry] stepped into didn’t quite measure up to him; and so, in the nicest possible way, he had to make it that much more capacious.

That pattern set in early, when, as he put it, “the flower people came to Frisco.” (He was a man of Oakland, with a lifelong suspicion of the fancier sister city across the bay.) Having already gone to art school, initially as a painter and focusing increasingly on sculpture, he now discovered himself as an entrepreneur, starting up a business called Squirkenworks and selling handmade drug paraphernalia at a rapid clip. “God bless the hippies,” he used to say fondly. "They loved anything ugly.” 

read the full essay

116