Los Angeles Modern Auctions (LAMA)

The present lot arrives from the personal collection of designer Gere Kavanaugh, who included it among the vibrant objects and artworks adorning her home in Los Angeles's historic Angelino Heights neighborhood. Kavanaugh moved from Los Angeles's Westside to Angelino Heights around 1980, when she was already well-established as a textile, industrial, and interior designer known for her embrace of color and larger-than-life spirit. As Louise Sandhaus and Kat Catmur write in A Colorful Life: Gere Kavanaugh, Designer, "To describe Kavanaugh is to evoke all that 'colorful' can: vivid, lively, animated, dramatic, fascinating, interesting, stimulating, scintillating." 

Somewhere between a home and a museum, Kavanaugh's residence in Angelino Heights embodies the spirit of her life. From knocking down walls to designing her own furniture and crafting much of the decor, she has made it an evolving project for the past three decades (and she isn't finished with it yet). In the 1980s, when Kavanaugh purchased her home, the downtown Los Angeles neighborhood that had originally been a Victorian locale for the well-to-do was now considered a bit down-at-the-heels. Shortly after Kavanaugh moved in, she joined a community project to spruce the place up by planting myrtle trees, many of which still grow on her street. The orange trees in her backyard fill the air with the scent of citrus blossoms. Angelino Heights has changed over the years, but it's still a potpourri of distinctive characters, and Kavanaugh always bumps into someone she knows. Kavanaugh's sense of home extends far beyond her front door.

—Louise Sandhaus and Kat Catmur, A Colorful Life: Gere Kavanaugh, Designer

Corita Kent was a revolutionary artist and teacher who elevated pop art beyond the scope of popular culture and used its language and aesthetics to engage with religion, community, politics and literature. For over thirty years, Kent created work as striking and important as her more-famous contemporary counterparts like Andy Warhol, Ed Ruscha and Roy Lichtenstein, espousing a message of love, wholeness, and presence. 

At the age of eighteen, Kent became a nun, joining the Immaculate Heart of Mary order in Hollywood in 1936. Over the next three decades, she became a progressive beacon of the order, heading the art department, staging “happenings,” and engaging the young women there in creativity and the wider cultural landscape more than was customary or acceptable at the time. She encouraged artistic exploration, deep connection and using the democratic medium of printmaking to champion these values. She brought people like Charles Eames and John Cage to Immaculate Heart to speak to students and she made powerful commentaries on the political and ethical dilemmas of the era. 

Kent's style was inspired by the prevailing pop artists of the time but was also, unlike the broad, critiquing eye of pop art, incredibly personal, sincere and spiritual. Her most well-known works combine psalm-like language, pulled from both her Catholic beliefs and advertisements alike, stylized text, and striking, colorful graphics. Kent saw the endless possibilities of re-assembling and re-shuffling text to be “a huge game, a way of confronting mystery.” After leaving the order in 1968, Kent continued to create work iconic to the era and its spirit, suffusing it with her rapturous, humanistic voice.