It is in fact nothing short of a re-founding of the decorative arts, far from theoretical dictates and other proponents of good taste that Garouste and Bonetti invite us—summoning us to a place where the charms of the strange and of the magical mix with the unheard of luxury of simplicity.
Pierre Staudenmeyer
Married in 1965, Ruth and Jacob “Jake” Bloom purchased their first piece of art together in 1966—a Renoir print given as a gift to their inlaws. Over the course of the decades that followed, the couple would emerge as leading collectors and supporters of contemporary art in Los Angeles, voracious art lovers and philanthropists whose generosity and genuine passion for avant-garde artists helped shape the cultural cutting edge. Reflecting their deep involvement in post-World War II creative movements, The Jake and Ruth Bloom Collection features major works from Robert Longo, Marilyn Minter, Gregory Crewdson, among many others, and showcases the Blooms’ savvy, intrepid, and influential approach to the field of contemporary art.
“We inhaled art,” Jake once said. “We ended up with some very, very significant pieces in our collection.”
While the term “power couple” might get thrown around, it is an apt descriptor for the Blooms: Jake was a legendary entertainment lawyer, who counted Martin Scorsese, George Lucas, and Jerry Bruckheimer among his clients. Bloom was among the founding members of the Museum of Contemporary Art (MoCA) Los Angeles, where Ruth would also serve on the board for more than a decade. Indeed, the pair would establish MoCA’s Ruth and Jake Bloom Young Artist Fund, which would help the institution acquire works from new emergent artists at pivotal moments in their careers. “We inhaled art,” Jake once said. “We ended up with some very, very significant pieces in our collection.”
Elizabeth Garouste and Mattia Bonetti
Élizabeth Garouste and Mattia Bonetti began their illustrious partnership in 1981, designing furniture and lighting on the forefront of a new romanticism that celebrated whimsy, absurdity and luxury. Working from the basis that “good taste bothers [them],” Garouste and Bonetti returned to and re-imaged design that was highly decorative. They infused this extravagance with the wit and irony of self-awareness, bridging the sensibilities of the early and late 20th century.
Élizabeth Garouste was born in 1946 in Paris, the daughter of Russian immigrants. She studied interior design at the École Camondo in Paris. She worked designing theater sets and in the fashion industry before meeting Mattia Bonetti, a Swiss designer, born in 1952, who was trained in textile design at the Centro Scolastico per l’Industria Artistica in Lugano. He also worked as a product designer, stylist and photographer.
The duo was named Designers of the Year at the International Furniture Fair in 1991. Their work is held in such prestigious collections as the Cooper-Hewitt Museum, New York and the Musée des Arts Décoratifs, Paris.
Auction Results Elizabeth Garouste and Mattia Bonetti
