LAMA is proud to present a special selection of design curated by Esoteric Survey, featuring more than 100 works that represent platform founder Steve Aldana's guiding fascination with mid-century design and design history in California. Drawing from Aldana's personal collection as well as from his design-minded community, this collection includes iconic works as well as deeper cuts that represent lesser-known, but nonetheless integral, achievements of postwar artists and designers.
An urban planner by vocation, Aldana has nurtured his fascination with modern design, particularly the strains that emerged in mid-century Southern California, through Esoteric Survey for nearly 15 years. With a desire to share fascinating obscure design figures and document visits to architecture and design sites, he created the blog he named Esoteric Survey in 2009. What first served primarily as a private log for personal reference eventually blossomed into a valuable resource for like-minded design aficionados, and has since taken the form of an immensely popular Instagram account.
Explore Steve Aldana's Blog Esoteric Survey
JB Blunk 1926–2002
Born in Kansas, James Blain “JB” Blunk was an artist known for his rustic, organic sculptural works in wood and clay. As a young man, he attended the University of California, Los Angeles, where he first studied physics and then ceramics under the renowned Laura Andreson. When Andreson took her class to see an exhibition of Mingei pottery at Scripps College, Blunk knew he wanted to be an artist. After serving in the U.S. Army during the Korean War, Blunk met Isamu Noguchi in Tokyo, where both were visitors in a folk art store. Noguchi helped to arrange apprenticeships for Blunk with Japanese potters Kitaoji Rosanjin and Kaneshige Toyo.
When Blunk returned to the U.S. in 1954, he relocated to San Francisco, where he did odd jobs and carpentry. After working on the roof of painter Gordon Onslow Ford’s home in the Marin County town of Inverness, Ford gifted Blunk an acre where he could build his own house and studio. Blunk constructed his home, described in the New York Times as resembling “a cottage from a midcentury-modern fairy tale,” from salvaged wood and river rocks between 1958 and 1962, and its “campus” comprises a ceramic studio and woodshop. Blunk created his first-ever wooden sculpture as a gift for Ford, a seat crafted from a chunk of cypress he found on the road that is today in the permanent collection of SFMOMA.
While today the Blunk House is celebrated as the artist’s masterpiece, his daughter has noted that he “never wanted it to become a precious place.” Instead, he wanted it to be a hub of activity and creation, and for him it was. Working in a wide range of mediums, Blunk went on to make jewelry, ceramics, paintings, furniture, and sculpture. He showed works beginning in the mid-1950s, notably transcending any rigid categorizations of art, craft, and design. In 1969, he completed The Planet at the Oakland Museum of California, a sculpture carved from a single redwood burl. Today, his works can be found in the permanent collections of the Smithsonian and Stanford University, among others.
