108
Complete Lot Details
Bar Oriental (GR104), 1988. 34 mm.
Beauchamps Place (LF102), 1988. 25 mm.
Little Jelly (LK103), 1986. 25 mm.
Chrono-Tech (LB104), 1984. Children's strap.
Chrono-Tech (LB104), 1984. 25 mm.
Chrono-Tech (GB403), 1984. 34 mm.
Mah-Jong (LA104), 1984. 25 mm.
Lady Limelight (LB110), 1986. 25 mm. Swatch Special.
A Swatch Chrono-tech model can be seen in this 1984 commercial featuring the Fat Boys:


There are many elements that make up the Swatch message. High quality. Low cost. Provocative. Joy of life.
Nicolas G. Hayek
Time Keeper:
Esther Montagner, Collecto-mania & The Cult of Swatch

To collect is to learn through what you collect…to express what Swatch has taught me in my 35+ years of collecting is indeed a lifetime’s worth of passion, obsession, nostalgia, recognition, and community. —Esther Montagner
In the early 1980s, the Swiss watch industry found itself under existential threat. The Quartz Crisis and the encroachment of Japanese technological interests presented formidable obstacles, and then-CEO of Hayek Engineering Nicolas G. Hayek was tasked with presenting solutions in hopes of rescuing the industry. One of Hayek’s proposals was to create a “low-cost, high-tech, artistic and emotional ‘second-watch’.” In March 1983, the Swatch was born.
“The plastic watch that changed everything” was bold and unprecedented, exploding onto the global marketplace with smart design, cutting-edge marketing, and, with time, tremendous collectibility. From the first Gents and Ladies models to the thousands of designs in existence today, Swatch charted an almost unfathomably far-reaching path through the past four decades of art, music, pop culture, and technology. A critical component of this trajectory was a global network of hardcore “Swatchers” who committed themselves early and wholly to the Swatch universe. Esther Montagner was among these de facto brand ambassadors, travelling the world on countless adventures with fearlessness and dedication, and building a lifelong community along the way.