Art + Design (Online) 
25 March 2022
Art + Design (Online) 
114

Jim Dine b.1935

The Mighty Robe (from the Astra Suite portfolio)

1985
lithograph in colors on BFK Rives image: 23¾ h × 19¾ w in (60 × 50 cm) sight: 27 h × 21¾ w in (69 × 55 cm)
estimate: $2,000–3,000
result: $4,000
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Signed, dated and numbered to lower edge ‘35/400 Jim Dine 1985’. This work is number 35 from the edition of 400 printed by Staib+Mayer, Stuttgart and co-published by the artist and AB Astra in association with Waddington Graphics, London and Pace Editions, New York.

This work will ship from Rago in Lambertville, New Jersey.

print

The robes have become much more mysterious than they used to be, and that’s because I understand them more. What’s funny is that I don’t own a bathrobe. I don’t wear one. I don’t walk around in one. I never see bathrobes around me, nor do I see people wearing them. I don’t have a bathrobe to paint from. What I use is what I’ve used from the very beginning—a newspaper ad which I clipped out of the New York Times back in 1963. The ad shows a robe with the man airbrushed out of it. Well, it somehow looked like me, and I thought I’d make that a symbol for me. Those early robes were just about autobiography through objects. 

Jim Dine

Jim Dine b. 1935

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For nearly six decades, American artist Jim Dine has evoked the power of symbolism, familiarity, and the search for self through a variety of mediums. A seeming critique on modern society, Dine places personal possessions and regular objects at the focal point of his prints, drawings, paintings, and sculptures. His evolving imagery includes reoccurring themes such as heart shapes, bathrobes, tools, and the human body for which he is best known.

Dine was born in Cincinnati, Ohio in 1935. His grandfather owned a hardware store where he worked throughout his youth later influencing his interest in ordinary objects. “I grew up with tools…I’ve always been enchanted by these objects made by anonymous hands,” he has stated. From 1953-1957 Dine studied poetry at the University of Cincinnati and later the School of the Boston Museum of Fine Arts. After receiving his BFA from the Ohio University in Athens, GA, he moved to New York in 1958.

Dine began participating in stage performances, later known as “Happenings”, alongside artists such as Claes Oldenburg, Robert Whitman, and John Cage. The performances helped to launch his career and his first solo exhibition was held in New York at the Reuben Gallery in 1960. While frequently associated with Pop Art that developed at this time, the artist does not identify with a specific movement. In 1966 he remarked, "Pop is concerned with exteriors…I'm concerned with interiors." He continued to develop his body of work expanding upon his iconic themes with series of flowers, trees, and the Venus di Milo.

His work has been exhibited internationally and been the focus of major retrospectives at New York’s Whitney Museum of American Art (1970), the Solomon R. Guggenheim Museum in New York (1999), and the National Gallery of Art in Washington, D.C. (2004). Dine’s work is included in prestigious collections around the world including The Museum of Modern Art in New York, the Tate Modern in London, the Bilbao Fine Arts Museum, Spain, and the Walker Art Center in Minneapolis, MN.

Jim Dine lives and works between New York, Paris, and Walla Walla, WA.

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