Lot 280: Jean Arp
3" x 2"
Provenance: Josine Janco (gift of the artist, circa 1945-49)
Have this work or something similar?
Email us today for a free, confidential
market evaluation from one of our specialists.
specialists with images
and/or descriptions of your modern valuables to start the evaluation.
Primarily recognized for their innovations in Surrealist sculpture, Jean Arp (1886-1966) and Alexander Calder (1898-1976) employed some of the same techniques used to create their large-scale works to produce stunning pieces of biomorphic jewelry. More than just a departure from abstract paintings and mobiles, jewelry, for Arp and Calder, was regarded as fine art, a diminutive exploration of sculptural forms. Calder even preferred to exhibit his jewelry alongside his sculptures, suggesting a “non-hierarchical approach much in keeping with the way Bauhaus teachers would instruct compositional principles that were as easily applied to painting as to tapestry.” In his brooch from 1957, a single piece of silver is bent and twisted into his characteristic spirals, and the surface – undulating hills and valleys of texture – bears the same hammer strikes of a large sculpture. It assumes new life and movement the moment it is mounted on the wearer. Likewise, Jean Arp’s brooch (circa 1945) began as a flat piece of metal. He cut holes and shaped the edges, elevating the material to a three-dimensional phantasm poised for spontaneous motion. Arp gave this piece as a gift to Josine Janco, daughter of artist and Dada co-founder Marcel Janco.
Surrealists conjured life out of everyday objects, and Man Ray (1890-1976) believed that “the idea was always more important than the actual work.” Arising from a mishap in 1920, Man Ray demonstrated this belief with an ordinary piece of metal. On the night before his exhibition was set to open, a janitor accidentally threw away Man Ray’s first version of Lampshade, a spiraled piece of paper hanging from an armature. He was distraught, but upon the suggestion of Katherine Dreier, artist and art patron who co-founded the modern art venue Société Anonyme with Duchamp and Man Ray, he reconstructed Lampshade out of painted metal. Once flat and inert, this example from 1964 becomes a Dada readymade that produces a movement all its own.
Baldwin, Neil. Man Ray: American Artist. New York: Man Ray Trust, 1988. Print.
Rosenthal, Mark. “Sculpture to Jewelry.” Calder Jewelry. Ed. Alexander S.C. Rower. New York: Calder Foundation, 2007. pp 51-67. Print.
Tait, Liv. “Man Ray, Museo d’Arte Lugano.” The Tait Global. TheTaitGlobal.com, 26 Apr. 2011. Web. 27 Oct. 2012.